Rainy Vending Machine Focus
Takeshi Nori
SMR152 · Single


Spaceman Recordings is an independent multi-genre publishing house. We sign work, master it, press it, and steward the catalog for the long horizon.
Numbered chronologically, none ever re-used. None ever retired.
Rainy Vending Machine Focus
Takeshi Nori
SMR152 · Single
Dad Left A Message
Pixel Drift
SMR060 · Single
A Throne Left Cold
Solen Kaya
SMR190 · Single
Sorrow of the Exiled Queen
Ines Vidal
SMR267 · Single
Full catalog
Available on request
Sequenced by the label, one genre at a time. Every title opens in Spotify.
sad lofi on Spotify, opens in a new tab
sad lofi for quiet nights and feelings that linger. Melancholic lofi beats and late night lofi for anyone sitting with a little heartache, a little nostalgia, or their own thoughts. Updated weekly with fresh picks.
Lofi Study Beats on Spotify, opens in a new tab
Lofi study beats for quiet focus and long reading sessions. Settle into instrumental lofi for studying, mellow homework beats and warm background music for work, with small refreshes every week.
Future House After Dark on Spotify, opens in a new tab
Future house after dark for night drives and late-night energy. Driving basslines, crisp grooves and bright hooks deliver energetic future house for listeners keeping the night moving. Refreshed weekly.
Future House Throwbacks on Spotify, opens in a new tab
Future house throwbacks for late-night parties and dance-floor nostalgia. Old school future house brings bouncy basslines and bright piano hooks for fans of nostalgic house music. Refreshed weekly with a few fresh picks.
We sign work that should still be in print forty years from now.
Editorial principle № 01
Set in stone, 2026

Archive object № 02 / Helmet
Spaceman Recordings is a small independent publishing house run by a tight team of producers, mastering engineers, and a catalog lawyer who reads contracts faster than anyone we know.
We sign work for the catalog, not for the moment. Contracts are short and one-sided in the artist's favor. Royalties are paid quarterly, on schedule.
Every title we sign stays in print on at least one physical format for the life of the catalog.
We do not subcontract publishing administration, we do not outsource sync, and the engineer who cuts the lacquer is the same person who supervises the digital master.
Publishing administration
Composition admin, neighboring rights, and mechanical collection across forty-seven societies. Splits reconciled down to the second.
Sync licensing
An in-house team places catalog into film, advertising, and games. Briefs answered inside one business day with pre-cleared masters.
Mastering and physical
In-house mastering room. Vinyl cuts, cassette runs, and lossless masters supervised by the same engineer from session to lacquer.
Catalog stewardship
Long-term residency for finished work. Every title we sign stays in print on at least one physical format for the life of the catalog.
Sync briefs, licensing requests, catalog acquisitions, press, and labels winding down operations. Mail goes to a person who reads it and writes back.